Modernist Library: Blue Monday vol. 2 – Absolute Beginners

img338Title: Blue Monday: Absolute Beginners (plus webisode scripts)
Script: Chynna Clugston-Major (edited by Jamie S. Rich; intro to webiside scripts by Rich)
Illustration: Chynna Clugston-Major
Published: Oni Press, 2001; (original comic book miniseries, 2001)

You know, for some reason, I just didn’t like this increment in the Blue Monday series as much as i liked The Kids Are Alright. In general, the quality of the story structure is just as good, like like the fact that she’s developing the other characters a little more, and even introducing new ones, but here are the main issues i have with this:

The general plot for this installment is “Bleu gets humiliated by the boy who likes her”. OK, for a high-school setting and dramady, but the specifics are something I find kind of beyond the pale. As it’s such a central thing to this four-part book, I doubt it’s going to count as a “spoiler” to anyone who doesn’t expect a complete blank-slate for their stories, so I’m just going to say it: Alan and Victor, the primary supporting male characters in TKAA, covertly take a video of Bleu getting undressed and taking a bath, and quickly spread it around the school. Now, OK, this is set in the early 1990s, before even tame staples of childhood, like the naked-on-a-bearskin-rug photos of us as infants were considered “child porn”, much less a more-or-less fully-developed fifteen / sixteen-year-old young woman, who just happens to still be in high school, and since Alan and Victor are in her class, there’s no “pedo factor”, but for hell, this is just ineffably creepy on so many levels, and I can’t really get into it played for comedy in the way that it has been. Now, how the video incident played out, i can totally see within the realm of believability for 15-20-year-olds (I mean, hell, I did something similar in New Dance), but I dunno, maybe I’ve seen too much SVU lately to see the comedy in this sort of thing (at least when I did a similar thing, it played for drama).

I’m also pretty unfond of the character development for Erin O’Neill (who finally has a surname) morphing from The Good Bad Girl into a Bitch in Sheep’s Clothing. While it certainly lends to drama, this is not only a development I’ve seen several times before (and for clearer reasons than we’re given in this volume), it’s a development that’s pretty predictable at this point, and honestly, this was a character that I wanted to like as I was reading the first book.

While I like the new character of Rissa, she’s just sort of sprang on readers and feels less fleshed out that Erin was in the first volume; aside from how she’s drawn, we know pretty much nothing about her personality other than that she likes football (soccer, to Americans). Now, Ms Clugston addresses this, humorously, in a filler comic at the end of the fourth chapter, which is a nice touch.

Another positive is the “mini comics” in the margins. Having never seen this in anything but GN form, I assume at least some of these were added for the compilation into graphic novel, as there’s an “aside” about Clugston mislabelling a song by The Beat as being by General Public that lasts several pages, to much amusement. When the next edition comes out, she needs to point out that she misspelled “Dexys Midnight Runners” on a t-shirt Clover wears as “Dexy’s Midnight Runners” –no, seriously, there’s no apostrophe.

I was also really enamoured with the introduction of Seamus, a pwcca taking the form of a six-foot-tall otter and who is apparently only visible to Bleu and clover, though he can clearly interact materially and psychically with other characters, even though they can’t see him. Again, I’ve done something similar in Peacocks & Fairies, so this not only serves as a reminder to crack down on myself and schedule in more writing time, but now I’ve got confidence that this sort of thing has appeal to more people than myself (which is a nice thing for a writer trying to stay in booze money to learn).

So yeah, in structure and development, it holds up as well as the previous book, but I didn’t like Clugston’s decision to play a borderline-assault for comedy, and I was disappointed with her character development choices for Erin. I would’ve rated about a full target higher if not for the video incident. It happens.