[Modcast 2013-10-14] Songs Without Moustaches

 

Lee Hazlewood – “You Look Like a Lady”
Tom Jones – “Stop Breakin’ My Heart”
The Asteroids Galaxy Tour – “Gold Rush Part 1 / Dollars In the Night / Gold Rush Part 2″
Thee Mighty Caesars – “69 Seconds”
Television Personalities – “I Was a Mod Before You Was a Mod”
Otis Spann – “I’m Ready”
Liz Brady – “Palladium”
Cal Tjader – “Soul Motion”
The Ups and Downs – “In the Shadows”
The Jetset – “The Man Who Lives Upstairs”
Long Tall Shorty – “Falling For You”
Neils Children – “Get Away From Me, Now”
The Chantalles – “I Want That Boy”
Booker T & the MG’s – “Hang ‘Em High”
Manual Scan – “New Difference”
Makin’ Time = “Honey (Fast version)”
Jacques Dutronc – “les Cactus”
Style Council – “The Whole Point of No Return”
Tom Waits – “More Than Rain”

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I know what you’re thinking and nope, sorry, Hazlewood released the album that one is on after demoustaching. I know, I know, it seems wrong to me, too, Lee hazlewood without a mustache, but it happened and we don’t talk about it.

While I have you here, today only, I have a coupon code for my Etsy shop. In theory, it’s a Tumblr exclusive, but this gets cross-posted to there, anyway, so go check it out. ☺

Homoeroticism in our icons

Empty Glass, when compared with The Who’s 1981 album Face Dances, was considered the superior album, with many critics calling it a Who album that never was. Roger Daltrey later commented that he felt let down by Townshend, and that many of the songs from the album would have worked well for The Who, among them “Rough Boys” and “Empty Glass”; Townshend countered by saying that he felt “Rough Boys” was the one song Daltrey would have wanted clarified (in terms of the song’s homoerotic subtext) and toned down if he were to sing it, thus defeating its message…

It is August 1983 and the letters page of Smash Hits is ablaze with controversy. The cause is the video for the Style Council’s new single Long Hot Summer. It features Paul Weller, saucy in bare chest and espadrilles, fondling the ears of his new musical collaborator “Merton” Mick Talbot. It may qualify as the least erotic piece of homoeroticism ever captured on film: “Merton” Mick’s facial expression suggests not the bliss of Zeus and Ganymede but disappointment and confusion, as if a golden career opportunity isn’t really panning out as he had expected. Nevertheless, it’s enough to cause uproar among teenage male Weller fans: in a world of gender-bending synth prodders, the former Jam frontman is supposed to be a dependable source of resolutely blokeish rock. Anguished letters flood in, until the editors are forced to intervene in time-honoured Smash Hits style: sniiiiiiiiiiiiiiiiiip!


Possibly the lowest point of Bowie’s career, especially in the 1980s, and Mick Jagger’s highest point in the 1980s.

Here’s something better:

Turner [from the 1970 film Performance] is a reclusive, eccentric former rock star who has “lost his demon” and who lives there with his female friends Pherber and Lucy (Michele Breton), with whom he enjoys a non-possessive and bi-sexual ménage à trois.